CHINA MILLENNIUM COUNCIL

Events Calendar Year 2007

 

 

 
   

IBM GLOBAL INNOVATION OUTLOOK LAUNCHES AFRICA FOCUS FORUM ON EDUCATION, TECHNOLOGY AND BUSINESS

 

Until very recently, any conversation about emerging players in the global economic scene was dominated by talk of China and India. But more and more these days Africa, and its population of over 900 million, has worked its way into the global dialogue on economic opportunity. And while there are still many obstacles to be overcome, Africa is fast becoming a legitimate force in the global economy, thanks in part to an abundance of natural resources, a steadily growing economy, and some long-awaited political stability.

“I think the climate for business in Africa has never been better than it is right now,” says Dr. Tukur, Chair, NEPAD Business Group. “We are witnessing many opportunities for productive long-term investment and public-private partnerships that will facilitate and sustain economic growth and development. Africa is now being taken seriously within the global economic community and it won’t be disappointed.”

This sentiment is what led IBM’s Global Innovation Outlook to focus on sustainable long-term economic development in Africa as an area ripe for collaborative innovation. To better understand the new economic realities across Africa, IBM brought together dozens of business leaders, policy makers, and academics from around the world. Together, we explored new approaches that could effectively address the issues and opportunities of this transformation. The GIO Africa Report highlights the strongest insights from nine deep dives on the topic, held in seven different cities, Beijing, Nairobi, Dakar, Paris, Lisbon, Atlanta and Cape Town.

The key factors IBM identified as critical to Africa's future from the "deep dives" were: skills; value chain; infrastructure; wireless; informal economies; women; finance; and nongovernmental organizations. For example, there is a compelling look at the African wireless industry, which boasts unprecedented new mobile applications and services. And there is an analysis of how African industries are beginning to move up the value chain, capturing more of the total value of the continent’s vast natural resources.

ICT Platforms and Mobile Technology: The infrastructure to support land-line phones is non-existent in most of rural Africa, but that hasn’t stopped the continent from becoming a hotbed for innovation in wireless applications. Per capita access to wireless handsets is among the highest in the world in many parts of Africa, even in remote villages that lack electricity. In fact, unprecedented mobile applications like Safaricom’s mobile money transfer in Kenya are already up and running and leapfrogging so-called developed and other emerging markets.

Dr. Kevit Desai, ICT Governor of KEPSA [Kenya Private Sector Alliance] and Chair of IEEE Kenya remarks, “ ICT (Information and Communications Technology) plays a huge role in the transformation of a region and it could be based on existing simple solutions, like mobile phones, which could create an interactive media within communities, between communities, and communities and the rest of the world.

In closing Nicholas Donofrio, Executive VP for Innovation and Technology, IBM put it best, "We have listed eight important factors in Africa's future. The key factors IBM identified as critical to Africa's future from the "deep dives" were: skills; value chain; infrastructure; wireless; informal economies; women; finance; and nongovernmental organizations. In all these, there are opportunities and challenges. We also ran into one that we feel is even greater. HOPE. For Africa's future looks bright and all the participants during our "deep dives" reflected this positive quality emanating from the continent". What led IBM's Global Innovation Outlook to focus on media and content as an area ripe for collaborative innovation. In this age of so-called "New Media," every company, government, and individual is exploring their own usage and application of these new tools and environments. Chief executives of Fortune 500 companies are posting videos on YouTube. Politicians are blogging and creating MySpace pages. NGOs are building deeper, interactive relationships with their donor communities online. And this is just the beginning.


AFRICA RISING, THE FUTURE IS NOW FOCUS ON WOMEN'S EMERGING ROLE IN GLOBAL ENTREPRENEURSHIP

 

The role of women in the economic development of Africa is increasingly well-documented. And while there is still a long ways to go in terms of fully supporting and enabling African women in business environments, awareness is being raised and progress is being made. “African women are born entrepreneurs,” says Bola Obisi , CEO of the Global  Women Inventors and Innovators Network (GWINN). “They just don’t talk about it, they get out there and do it”. The evidence: Africa women account for more than 60 percent of the rural labor force, and contribute up to 80 percent of food production. More than 80 percent of those women are working, unregistered and unrecognized by the government in the informal sector. However changes to better recognize women’s role in Africa are underway. Priscilla Dimaktso Motlhako as CEO of Africa Khusini Holdings Ltd., is a stunning role model and was featured as an outstanding luminary at the IBM Global Innovation Outlook Africa forum.

Thirty four year old Pricilla Motlhako grew up as a South African exile in Nairobi, Kenya and upon her return in the mid 1990s, she realized the immediate new challenges and golden opportunities open in South Africa. Subsequently, Motlhako initially began employment as sales representative for a South African telephony franchise. Thereafter she  developed a franchisee herself and not just any franchisee enterprise. Soon after her diligent efforts resulted and garnered a seat among the top ten for all franchisees within that particular franchise entrepreneur system. Motlhako was ambitious and then further developed her company as a conglomerate and expansion as an events planning business to implement her repertoire of already established successful commercial ventures. Today she says, "I see Africa as a pioneer market", and announced their USD 50 million dollar telecom contract with China as her next business collaboration and global business enterprise. 

 


GENE TAGABAN, RENOWNED ALASKA TLINGIT RAVEN DANCER PERFORMS IN ROCHESTER

 

Internationally renowned Alaska Tlingit Native performance artist Gene Tagaban will display his mastery as a storyteller and regal Raven dancer in Rochester NY during the week of March 19 via the collaboration of China Millennium Council, the Native American Resource Center of the Rochester City School District and the Center for Indigenous Studies at St. John Fisher College. Tagaban will perform his cultural artistry and educational workshop programs, venues including the Native American Resource Center, the Henry Longfellow School and the Pittsford Calkins Road Middle School. He will also display his stunning "One Crazy Raven" evening show at St. John Fisher College, exhibiting his prowess and unique talents as a performance artist, musician and commentator.

Gene Tagaban’s Tlingit Native name is Guuy Yaaw. His heritage stems from Cherokee, Tlingit and Filipino ancestry. He belongs to the Tak'deintaan Raven Freshwater Sockeye clan of Hoonah, Alaska and the child of a Wooshkeetaan Eagle Shark clan or moiety of Juneau, Alaska. he has performed with NAA KA HIDI THEATRE and PERSEVERANCE THEATRE, is a founding member of RAVENS VOICE THEATER and RAVENDREAMING PRODUCTIONS. A graduate of the University of Alaska Fairbanks Alaska Native Leadership Program, Mr. Tagaban has traveled globally as an internationally accalimed musician and teacher.

Tagaban manifests his wisdom and extraordinary talent through dance, Native flute and storytelling. He began dancing when he was five years old and grew up listening to and learning the songs, dances and stories of Alaska's Tlingit people. In his "One Crazy Raven" show, Tagaban blends commentary, vision, spirit and honor. The show features song, dance, music and regalia, as Tagaban shares contemporary and traditional anecdotes. His distinguished accolades include a leading role in Sherman Alexie's award-winning Sundance Film festival entitled, THE BUSINESS OF FANCYDANCING. Gene Tagaban also participates on the Native American Olympic Ski team as a champion Xtreme skier; he has been skiing and snowboarding since the age of eleven amidst the grandeur of the Alaskan glaciers and vast mountain terrain. Snow Country will host Gene Tagaban featuring his spectacular Xtreme snow sports at Bristol Mountain in Canandaigua New York. Moreover, the Filipino American Association of Rochester will also host a cultural community event to extend a warm welcome to Gene Tagaban at St Anne's Church. Originally, Mr. Tagaban's grandfather emigrated from the Phillipines to Alaska to work in the fisheries and gold mines.

Tagaban's performances and workshops engage the imagination and connect the audience with empowerment, leadership, spirit and honor. Gene's work has been featured in PBS documentaries and educational videos. "Gene is a delight and inspiration to the human spirit." Mr. Tagaban serves as President of the Honor Foundation and also on the Honor Day Council. "Celebrating the differences while embracing the Oneness", Honor Day recognizes the many contributions made by Native American Indians. It was awakened in a traditional manner, and now serves the indigenous roots of all people. www.chinafrontier.com/genetagaban.html

 


SMITHSONIAN MUSEUM FEATURES PERSEVERANCE THEATRE’S  TLINGIT INSPIRED SHAKESPEARE’S MACBETH

 

The Smithsonian’s National Museum of the American Indian in Washington DC, will present  Perseverance Theatre's Tlingit Alaska Native-inspired production of MACBETH, as part of “Shakespeare in Washington”. Hailing from Juneau, Alaska, Perseverance Theatre has set their unique production of "the Scottish Play" in the context of Southeast Alaska's indigenous Tlingit culture, fusing Shakespeare's words with the native language, music, dancing, and visual design of this emblematic, rich and living legacy. Directed by Anita Maynard-Losh, the production highlights an all-Alaska Native cast of performance artists and illustrates Shakespeare's universality and the dynamism of today's Native theater movement. Perseverance Theatre’s production is part of Shakespeare for a New Generation, a national theater initiative sponsored by the National Endowment for the Arts in cooperation with Arts Midwest. Additional support provided by The Wallace Foundation, Sealaska Heritage Institute, and the CIRI Foundation. Presented in partnership with The Smithsonian Associates.   Shakespeare's "Macbeth" recants the tale of a Scottish warrior rewarded by King Duncan for his triumphs in battle. Maynard-Losh describes the play as an "alternative universe" in which the actors discourse about Shakespeare's Scotland in England and Ireland; however, articulating their decorum and manner in a Tlingit longhouse adorned with wooden-slatted armor and battle helmets inspired by Native indigenous heritage.  

Robert Davis, the set designer and other crew members created dramatic masks and regalia for the production. They turned the ghost of Banquo, a warrior Macbeth wanted killed, into a raven, portrayed by renowned Tlingit native actor Gene Tagaban, also highly regarded as the Raven dancer. Dressed in a flowing, feathery black cape, the raven comes out to dance at a potlatch. Davis' main task was to transform the characters' world into a Tlingit longhouse crafted from rough-cut lumber. He uses red, black and turquoise to emulate the Tlingit inspired visual imagery and landscape. Davis integrates the tongues of the raven and man to symbolize the transference of knowledge.

Performances are featured during March 8-18, 2007 at the Rasmuson Theater in Washington DC. For tickets info call 202-357-3030 or visit www.ResidentAssociates.org

Perseverance Theatre was founded in 1979 in the state capital of Juneau, Alaska and in a community of 30,000 accessible solely by air or water travel.  They are dedicated to “tapping the potential of Alaska through the passionate creation and presentation of theatre.” More than a quarter century later, Perseverance Theatre is the state's flagship professional theatre, serving upwards of 20,000 Alaskan artists and audiences annually including classical and contemporary productions; extensive education programs for adults and youth; statewide tours; Alaska Native performance festivals; and outreach collaborations with groups ranging from Ilisagvik College in Barrow to Juneau's Filipino Community, Inc.

http://www.americanindian.si.edu/macbeth/index.html

 


                                                        China Millennium Council 2006

                                                        China Millennium Council 2005

                                                         China Millennium Council 2004

 

 

 


Mary Ho and Nick Donofrio, IBM Executive
Vice President of Innovation and Technology
at the IBM GIO forum on Africa.

 

 

 

 


Lorne Mitchell, IBM United Kingdom Ltd,
and Dr. Kevit Desai, ICT Governor KEPSA,
Chair of IEEE Kenya at the IBM GIO Africa Forum..

 

 

 

 

 

 

 

 

 


Priscilla Dimaktso Motlhako, CEO Africa Khusini
Holdings Ltd, and Mary Ho, China Millennium Council
discuss Africa and China's inherent cultural legacies.

 

 

 

 

 


Gene Tagaban, renowned
Raven Dancer performs
the folklore and charm of the Tlingit legacy.

 

 


Master Twin Flutist Gene Tagaban
performs the lyrical music
and tales of Alaska's Tlingit Natives.

 

 

 

 

 


Alaska Tlingit Native Culture Inspired
William Shakespeare's Macbeth,
Perseverance Theater at the Smithsonian.

 


Tlingit Native Actor Gene Tagaban
rehearses with crew of Perseverance Theater,
photography by Anchorage Daily news.

 


Soldiers' helmets en repose during the
rehearsal of Tlingit Macbeth,
photography by Anchorage Daily News.

 

 

 

 

     

 

 

A Chinese Proverb
 I am the seasoned traveler of the Labyrinth.
 I overturn barriers and boundaries, opening new paths and portals for
 innovation.

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Last modified: 03/05/08